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ISRC

FINDE1300364

Sonata in A major, op. 101: IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro

Song: Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro

Paavali Jumppanen
Released 2014-02-01

Last verified:

FINDE1300364 is the International Standard Recording Code (ISRC) for the recording "Sonata in A major, op. 101: IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro" by Paavali Jumppanen, released 2014-02-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FICountry
NDERegistrant
13Year (2013)
00364Designation
Country:
ISO 3166-1 alpha-2 country code (FI).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Sonata in A major, op. 101: IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro" by Paavali Jumppanen?
The ISRC for "Sonata in A major, op. 101: IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro" by Paavali Jumppanen is FINDE1300364.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FINDE1300364?

FINDE1300364 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sonata in A major, op. 101: IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro" by Paavali Jumppanen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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