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Ma mère l’Oye: 3ème tableau – Les entretiens de la belle et de la bête album cover

ISRC

FINDE2200143

Ma mère l’Oye: 3ème tableau – Les entretiens de la belle et de la bête

Song: Ma mère l’Oye : Tableau III : Les Entretiens de la Belle et de la Bête

Basque National OrchestraRobert Treviño
Released 2022-11-04

Last verified:

FINDE2200143 is the International Standard Recording Code (ISRC) for the recording “Ma mère l’Oye: 3ème tableau – Les entretiens de la belle et de la bête” by Basque National Orchestra, Robert Treviño, released 2022-11-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FICountry
NDERegistrant
22Year (2022)
00143Designation
Country:
ISO 3166-1 alpha-2 country code (FI).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Ma mère l’Oye: 3ème tableau – Les entretiens de la belle et de la bête" by Basque National Orchestra?
The ISRC for "Ma mère l’Oye: 3ème tableau – Les entretiens de la belle et de la bête" by Basque National Orchestra, Robert Treviño is FINDE2200143.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FINDE2200143?

FINDE2200143 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Ma mère l’Oye: 3ème tableau – Les entretiens de la belle et de la bête” by Basque National Orchestra, Robert Treviño. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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