ISRC
Symphony no. 3: III. Sehr schnell2
Song: SYMPHONY NO. 3
Last verified:
FINDE9000024 is the International Standard Recording Code (ISRC) for the recording “Symphony no. 3: III. Sehr schnell” by MDR Sinfonieorchester, Max Pommer, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
FINDE9000024 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Symphony no. 3: III. Sehr schnell” by MDR Sinfonieorchester, Max Pommer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
MDR Rundfunkchor, MDR Sinfonieorchester, Kristjan Järvi
USSM11203698MDR Rundfunkchor, MDR Sinfonieorchester, Kristjan Järvi
USSM11203693MDR Rundfunkchor Leipzig, Walter Heinz Bernstein, MDR Sinfonieorchester, Herbert Kegel
NLA507728911Annelies Burmeister, Eberhard Büchner, MDR Rundfunkchor Leipzig, Hermann Christian Polster, Heidi Riess, Mitsuko Shirai, Walter Heinz Bernstein, MDR Sinfonieorchester, Herbert Kegel
NLA507728901FINDE9000024 is the International Standard Recording Code (ISRC) for the recording “Symphony no. 3: III. Sehr schnell” by MDR Sinfonieorchester, Max Pommer, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
