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Breaking Point (acoustic) album cover

ISRC

FIUM71100624

Breaking Point (acoustic)2

Song: BREAKING POINT

Amaranthe
matched
Released 2011-01-01

Last verified:

FIUM71100624 is the International Standard Recording Code (ISRC) for the recording “Breaking Point (acoustic)” by Amaranthe, released 2011-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JACOB HANSEN, JOACIM PETER NICKLAS LUNDBERG, ELISE HANNA ISABELL MAJ HOESTBL RYD, and others.

Format

FICountry
UM7Registrant
11Year (2011)
00624Designation
Country:
ISO 3166-1 alpha-2 country code (FI).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBreaking Point (acoustic)
IPIJACOB HANSEN

People also ask

What is the ISRC for "Breaking Point (acoustic)" by Amaranthe?
The ISRC for "Breaking Point (acoustic)" by Amaranthe is FIUM71100624.
Who wrote "Breaking Point (acoustic)"?
"Breaking Point (acoustic)" was written by JACOB HANSEN, JOACIM PETER NICKLAS LUNDBERG, ELISE HANNA ISABELL MAJ HOESTBL RYD, MORTEN LOEWE SOERENSEN, OLOF NILS MORCK, JOHAN KARL ANDREASSEN, ANDREAS JAN SOLVESTROEM.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FIUM71100624?

FIUM71100624 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Breaking Point (acoustic)” by Amaranthe. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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