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Bloody Gaya Fulfilled album cover

ISRC

FIUM71100994

Bloody Gaya Fulfilled

Song: BLOODY GAYA FULFILLED

ChthoniC
matched
Released 2006-01-01

Last verified:

FIUM71100994 is the International Standard Recording Code (ISRC) for the recording “Bloody Gaya Fulfilled” by ChthoniC, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHANG ZUO LIN, SHENG HUI LIU, JIA RONG AKA CJ KAO GAO, and others.

Format

FICountry
UM7Registrant
11Year (2011)
00994Designation
Country:
ISO 3166-1 alpha-2 country code (FI).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CHANG ZUO LINComposer
SHENG HUI LIUComposer
JIA RONG AKA CJ KAO GAOComposer
XIANG YI YEComposer
ZI XIANG WANGComposer

MLC Song Code

BV7ARW
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Bloody Gaya Fulfilled" by ChthoniC?
The ISRC for "Bloody Gaya Fulfilled" by ChthoniC is FIUM71100994.
Who wrote "Bloody Gaya Fulfilled"?
"Bloody Gaya Fulfilled" was written by CHANG ZUO LIN, SHENG HUI LIU, JIA RONG AKA CJ KAO GAO, XIANG YI YE, ZI XIANG WANG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FIUM71100994?

FIUM71100994 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Bloody Gaya Fulfilled” by ChthoniC. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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