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Ах, какие ножки album cover

ISRC

FR10S1661191

Ах, какие ножки2

Song: АХ, КАКИЕ НОЖКИ! (ЗАПРЕЩЁННЫЕ ПЕСНИ)

Юрий Лоза
matched
Released 2004-01-01

Last verified:

FR10S1661191 is the International Standard Recording Code (ISRC) for the recording “Ах, какие ножки” by Юрий Лоза, released 2004-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ЛОЗА ЮРИЙ ЭДУАРДОВИЧ ЛОЗА.

Format

FRCountry
10SRegistrant
16Year (2016)
61191Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ЛОЗА ЮРИЙ ЭДУАРДОВИЧ ЛОЗАComposerLyricist
CREATIVE MEDIA OriginalPublisher
BROMA 16 NL B.V. RightsAdministratorIPI: 00362955534

Who publishes this song?

CREATIVE MEDIAOriginalPublisher
BROMA 16 NL B.V.RightsAdministrator
IPI: 00362955534
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Ах, какие ножки" by Юрий Лоза?
The ISRC for "Ах, какие ножки" by Юрий Лоза is FR10S1661191.
Who wrote "Ах, какие ножки"?
"Ах, какие ножки" was written by ЛОЗА ЮРИЙ ЭДУАРДОВИЧ ЛОЗА.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR10S1661191?

FR10S1661191 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Ах, какие ножки” by Юрий Лоза. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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