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Matthäus-Passion: Ich will bei meinem Jesus wachen (Tenor / Chor) album cover

ISRC

FR10S1799578

Matthäus-Passion: Ich will bei meinem Jesus wachen (Tenor / Chor)

Song: Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen"

Das Neue OrchesterChristoph Spering
Released 1992-01-01

Last verified:

FR10S1799578 is the International Standard Recording Code (ISRC) for the recording “Matthäus-Passion: Ich will bei meinem Jesus wachen (Tenor / Chor)” by Das Neue Orchester, Christoph Spering, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
10SRegistrant
17Year (2017)
99578Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Matthäus-Passion: Ich will bei meinem Jesus wachen (Tenor / Chor)" by Das Neue Orchester?
The ISRC for "Matthäus-Passion: Ich will bei meinem Jesus wachen (Tenor / Chor)" by Das Neue Orchester, Christoph Spering is FR10S1799578.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR10S1799578?

FR10S1799578 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Matthäus-Passion: Ich will bei meinem Jesus wachen (Tenor / Chor)” by Das Neue Orchester, Christoph Spering. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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