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Etudes, op. 25, no. 1: Allegro sostenuto album cover

ISRC

FR10S1799901

Etudes, op. 25, no. 1: Allegro sostenuto2

Song: PUBLIC DOMAIN TRACK

Grigory Sokolov
matched
Released 1993-01-01

Last verified:

FR10S1799901 is the International Standard Recording Code (ISRC) for the recording "Etudes, op. 25, no. 1: Allegro sostenuto" by Grigory Sokolov, released 1993-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PUBLIC DOMAIN.

Format

FRCountry
10SRegistrant
17Year (2017)
99901Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCEtudes, op. 25, no. 1: Allegro sostenuto
IPIPUBLIC DOMAIN

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Songwriter profiles

PUBLIC DOMAINIPI

People also ask

What is the ISRC for "Etudes, op. 25, no. 1: Allegro sostenuto" by Grigory Sokolov?
The ISRC for "Etudes, op. 25, no. 1: Allegro sostenuto" by Grigory Sokolov is FR10S1799901.
Who wrote "Etudes, op. 25, no. 1: Allegro sostenuto"?
"Etudes, op. 25, no. 1: Allegro sostenuto" was written by PUBLIC DOMAIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR10S1799901?

FR10S1799901 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Etudes, op. 25, no. 1: Allegro sostenuto" by Grigory Sokolov. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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