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Sur le lac album cover

ISRC

FR1F39900220

Sur le lac

Song: SUR LE LAC

Aldo RomanoLouis SclavisHenri Texier
unmatchedNot yet matched in the MLC database
Released 1999-01-01

Last verified:

FR1F39900220 is the International Standard Recording Code (ISRC) for the recording "Sur le lac" by Aldo Romano, Louis Sclavis, Henri Texier, released 1999-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
1F3Registrant
99Year (1999)
00220Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LOUIS SCLAVISComposer
LABEL BLEU OriginalPublisher0.00%IPI: 00209237481
MUSIC OF SCHUBERT OriginalPublisher100.00%IPI: 00696960283

Who publishes this song?

LABEL BLEUOriginalPublisher
IPI: 00209237481
MUSIC OF SCHUBERTOriginalPublisher
IPI: 00696960283

MLC Song Code

SD2NUF
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Sur le lac" by Aldo Romano?
The ISRC for "Sur le lac" by Aldo Romano, Louis Sclavis, Henri Texier is FR1F39900220.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR1F39900220?

FR1F39900220 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sur le lac" by Aldo Romano, Louis Sclavis, Henri Texier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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