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Cantate «Vergnügte Ruh', Beliebte Seelenlust», BWV 170: III. Aria album cover

ISRC

FR1P71130503

Cantate «Vergnügte Ruh', Beliebte Seelenlust», BWV 170: III. Aria2

Song: PUBLIC DOMAIN TRACK

Damien GuillonMaude GrattonLe Banquet Céleste
unmatchedNot yet matched in the MLC database
Released 2012-04-17

Last verified:

FR1P71130503 is the International Standard Recording Code (ISRC) for the recording “Cantate «Vergnügte Ruh', Beliebte Seelenlust», BWV 170: III. Aria” by Damien Guillon, Maude Gratton, Le Banquet Céleste, released 2012-04-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
1P7Registrant
11Year (2011)
30503Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Cantate «Vergnügte Ruh', Beliebte Seelenlust», BWV 170: III. Aria" by Damien Guillon?
The ISRC for "Cantate «Vergnügte Ruh', Beliebte Seelenlust», BWV 170: III. Aria" by Damien Guillon, Maude Gratton, Le Banquet Céleste is FR1P71130503.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR1P71130503?

FR1P71130503 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Cantate «Vergnügte Ruh', Beliebte Seelenlust», BWV 170: III. Aria” by Damien Guillon, Maude Gratton, Le Banquet Céleste. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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