ISRC

FR26V1412151

PEACE PLANET (FEAT. RICK VAN DER LINDEN, IAN MOSLEY & JAAP VAN EIK) [LIVE]

Song: PEACE PLANET

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FR26V1412151 is the International Standard Recording Code (ISRC) for the recording “PEACE PLANET (FEAT. RICK VAN DER LINDEN, IAN MOSLEY & JAAP VAN EIK) [LIVE]. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARINUS P G M RICK VAN DER LINDEN.

Format

FRCountry
26VRegistrant
14Year (2014)
12151Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPEACE PLANET (FEAT. RICK VAN DER LINDEN, IAN MOSLEY & JAAP VAN EIK) [LIVE]

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People also ask

What is the ISRC for "PEACE PLANET (FEAT. RICK VAN DER LINDEN, IAN MOSLEY & JAAP VAN EIK) [LIVE]"?
The ISRC for "PEACE PLANET (FEAT. RICK VAN DER LINDEN, IAN MOSLEY & JAAP VAN EIK) [LIVE]" is FR26V1412151.
Who wrote "PEACE PLANET (FEAT. RICK VAN DER LINDEN, IAN MOSLEY & JAAP VAN EIK) [LIVE]"?
"PEACE PLANET (FEAT. RICK VAN DER LINDEN, IAN MOSLEY & JAAP VAN EIK) [LIVE]" was written by MARINUS P G M RICK VAN DER LINDEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR26V1412151?

FR26V1412151 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “PEACE PLANET (FEAT. RICK VAN DER LINDEN, IAN MOSLEY & JAAP VAN EIK) [LIVE]. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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