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ISRC

FR26V1544656

YO SOLO QUIERO UNA CHICA QUE ME QUIERA

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FR26V1544656 is the International Standard Recording Code (ISRC) for the recording “YO SOLO QUIERO UNA CHICA QUE ME QUIERA”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JUAN RAMON SANTOS MAQUEDA, GORKA RAMON ABRISQUETA VEUTHEY, YOSU ABRISQUETA VEUTHEY, and others.

Format

FRCountry
26VRegistrant
15Year (2015)
44656Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCYO SOLO QUIERO UNA CHICA QUE ME QUIERA
IPIJUAN RAMON SANTOS MAQUEDA

Related

Songwriter profiles

JUAN RAMON SANTOS MAQUEDAIPIGORKA RAMON ABRISQUETA VEUTHEYIPIYOSU ABRISQUETA VEUTHEYIPI INCONNU COMPOSITEUR AUTEURIPI

People also ask

What is the ISRC for "YO SOLO QUIERO UNA CHICA QUE ME QUIERA"?
The ISRC for "YO SOLO QUIERO UNA CHICA QUE ME QUIERA" is FR26V1544656.
Who wrote "YO SOLO QUIERO UNA CHICA QUE ME QUIERA"?
"YO SOLO QUIERO UNA CHICA QUE ME QUIERA" was written by JUAN RAMON SANTOS MAQUEDA, GORKA RAMON ABRISQUETA VEUTHEY, YOSU ABRISQUETA VEUTHEY, INCONNU COMPOSITEUR AUTEUR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR26V1544656?

FR26V1544656 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “YO SOLO QUIERO UNA CHICA QUE ME QUIERA”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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