ISRC

FR26V1559181

QUERIDO AMIGO (FEAT. GUSTAVO SANCHEZ)

Song: QUERIDO AMIGO

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FR26V1559181 is the International Standard Recording Code (ISRC) for the recording “QUERIDO AMIGO (FEAT. GUSTAVO SANCHEZ). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GUADALUPE JORGE GAMIZ.

Format

FRCountry
26VRegistrant
15Year (2015)
59181Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GUADALUPE JORGE GAMIZComposer
EDIMAL USA, LLC OriginalPublisher0.00%IPI: 00434586344
MAXIMO AGUIRRE MUSIC PUBLISHING, INC. OriginalPublisher100.00%IPI: 00434304490

Who publishes this song?

EDIMAL USA, LLCOriginalPublisher
IPI: 00434586344
MAXIMO AGUIRRE MUSIC PUBLISHING, INC.OriginalPublisher
IPI: 00434304490
SourcesMLC

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People also ask

What is the ISRC for "QUERIDO AMIGO (FEAT. GUSTAVO SANCHEZ)"?
The ISRC for "QUERIDO AMIGO (FEAT. GUSTAVO SANCHEZ)" is FR26V1559181.
Who wrote "QUERIDO AMIGO (FEAT. GUSTAVO SANCHEZ)"?
"QUERIDO AMIGO (FEAT. GUSTAVO SANCHEZ)" was written by GUADALUPE JORGE GAMIZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR26V1559181?

FR26V1559181 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “QUERIDO AMIGO (FEAT. GUSTAVO SANCHEZ). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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