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ISRC

FR26V2016192

UH, UH, NO

Song: UH UH NO

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Last verified:

FR26V2016192 is the International Standard Recording Code (ISRC) for the recording “UH, UH, NO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GEORGE JONES.

Format

FRCountry
26VRegistrant
20Year (2020)
16192Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GEORGE JONESComposer
JERAD GLENN MUSIC PUBLISHING OriginalPublisher0.00%IPI: 01219613955
BMG PLATINUM SONGS RightsAdministrator50.00%IPI: 00595808890
JETTDONN MUSIC OriginalPublisher0.00%IPI: 01218758925
BMG PLATINUM SONGS RightsAdministrator50.00%IPI: 00595808890

Who publishes this song?

JERAD GLENN MUSIC PUBLISHINGOriginalPublisher
IPI: 01219613955
BMG PLATINUM SONGSRightsAdministrator
IPI: 00595808890
JETTDONN MUSICOriginalPublisher
IPI: 01218758925

MLC Song Code

U00995
Verify on MLC Portal →
SourcesMLCMusicBrainz2 sources

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People also ask

What is the ISRC for "UH, UH, NO"?
The ISRC for "UH, UH, NO" is FR26V2016192.
Who wrote "UH, UH, NO"?
"UH, UH, NO" was written by GEORGE JONES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR26V2016192?

FR26V2016192 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “UH, UH, NO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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