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ISRC

FR2IC0913560

LE MONDE EST STONE (RENDU CÉLÈBRE PAR STARMANIA) [VERSION KARAOKÉ]

Song: LE MONDE EST STONE

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FR2IC0913560 is the International Standard Recording Code (ISRC) for the recording "LE MONDE EST STONE (RENDU CÉLÈBRE PAR STARMANIA) [VERSION KARAOKÉ]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MICHEL BERGER, LUC PLAMONDON.

Format

FRCountry
2ICRegistrant
09Year (2009)
13560Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLE MONDE EST STONE (RENDU CÉLÈBRE PAR STARMANIA) [VERSION KARAOKÉ]
IPIMICHEL BERGER

Related

Songwriter profiles

MICHEL BERGERIPI

People also ask

What is the ISRC for "LE MONDE EST STONE (RENDU CÉLÈBRE PAR STARMANIA) [VERSION KARAOKÉ]"?
The ISRC for "LE MONDE EST STONE (RENDU CÉLÈBRE PAR STARMANIA) [VERSION KARAOKÉ]" is FR2IC0913560.
Who wrote "LE MONDE EST STONE (RENDU CÉLÈBRE PAR STARMANIA) [VERSION KARAOKÉ]"?
"LE MONDE EST STONE (RENDU CÉLÈBRE PAR STARMANIA) [VERSION KARAOKÉ]" was written by MICHEL BERGER, LUC PLAMONDON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR2IC0913560?

FR2IC0913560 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "LE MONDE EST STONE (RENDU CÉLÈBRE PAR STARMANIA) [VERSION KARAOKÉ]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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