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ISRC

FR2IC0927976

I WAS MADE FOR LOVING YOU (TRIBUTE TO KISS) [VERSION LIVE]

Song: I WAS MADE FOR LOVIN' YOU

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FR2IC0927976 is the International Standard Recording Code (ISRC) for the recording "I WAS MADE FOR LOVING YOU (TRIBUTE TO KISS) [VERSION LIVE]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DESMOND CHILD, VINCENT PONCIA, PAUL STANLEY.

Format

FRCountry
2ICRegistrant
09Year (2009)
27976Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI WAS MADE FOR LOVING YOU (TRIBUTE TO KISS) [VERSION LIVE]
IPIDESMOND CHILD

Related

Songwriter profiles

DESMOND CHILDIPIPAUL STANLEYIPI

People also ask

What is the ISRC for "I WAS MADE FOR LOVING YOU (TRIBUTE TO KISS) [VERSION LIVE]"?
The ISRC for "I WAS MADE FOR LOVING YOU (TRIBUTE TO KISS) [VERSION LIVE]" is FR2IC0927976.
Who wrote "I WAS MADE FOR LOVING YOU (TRIBUTE TO KISS) [VERSION LIVE]"?
"I WAS MADE FOR LOVING YOU (TRIBUTE TO KISS) [VERSION LIVE]" was written by DESMOND CHILD, VINCENT PONCIA, PAUL STANLEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR2IC0927976?

FR2IC0927976 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I WAS MADE FOR LOVING YOU (TRIBUTE TO KISS) [VERSION LIVE]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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