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ISRC

FR33T1226615

To the Villains2

Song: TO THE VILLAINS

War From a Harlots Mouth
unmatchedNot yet matched in the MLC database
Released 2012-10-19

Last verified:

FR33T1226615 is the International Standard Recording Code (ISRC) for the recording “To the Villains” by War From a Harlots Mouth, released 2012-10-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
33TRegistrant
12Year (2012)
26615Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

PAUL SEIDELComposer
SIMON HAWEMANNComposer

MLC Song Code

X8025R
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "To the Villains" by War From a Harlots Mouth?
The ISRC for "To the Villains" by War From a Harlots Mouth is FR33T1226615.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR33T1226615?

FR33T1226615 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “To the Villains” by War From a Harlots Mouth. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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