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ISRC

FR3KD2500160

Danse sacrée et danse profane, L. 103: Danse sacrée

Song: Deux danses pour Harpe et Orchestre, L. 103: Danse sacrée

Mélanie LaurentManon GalySarah Jégou-SagemanÉlodie LaurentMaxime Quennesson
Released 2025-11-21

Last verified:

FR3KD2500160 is the International Standard Recording Code (ISRC) for the recording "Danse sacrée et danse profane, L. 103: Danse sacrée" by Mélanie Laurent, Manon Galy, Sarah Jégou-Sageman, Élodie Laurent, Maxime Quennesson, released 2025-11-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
3KDRegistrant
25Year (2025)
00160Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Danse sacrée et danse profane, L. 103: Danse sacrée" by Mélanie Laurent?
The ISRC for "Danse sacrée et danse profane, L. 103: Danse sacrée" by Mélanie Laurent, Manon Galy, Sarah Jégou-Sageman, Élodie Laurent, Maxime Quennesson is FR3KD2500160.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR3KD2500160?

FR3KD2500160 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Danse sacrée et danse profane, L. 103: Danse sacrée" by Mélanie Laurent, Manon Galy, Sarah Jégou-Sageman, Élodie Laurent, Maxime Quennesson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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