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Back for Love (Hell‐Ektrik remix) album cover

ISRC

FR3P10900613

Back for Love (Hell‐Ektrik remix)2

Song: BACK FOR LOVE

TimofeyBartosz Brenes
matched
Released 2009-11-09

Last verified:

FR3P10900613 is the International Standard Recording Code (ISRC) for the recording “Back for Love (Hell‐Ektrik remix)” by Timofey, Bartosz Brenes, released 2009-11-09. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TIMOFEY REZNIKOV, BARTOZS BRENES, GAEL BENYAMIN.

Format

FRCountry
3P1Registrant
09Year (2009)
00613Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBack for Love (Hell‐Ektrik remix)
IPITIMOFEY REZNIKOV

People also ask

What is the ISRC for "Back for Love (Hell‐Ektrik remix)" by Timofey?
The ISRC for "Back for Love (Hell‐Ektrik remix)" by Timofey, Bartosz Brenes is FR3P10900613.
Who wrote "Back for Love (Hell‐Ektrik remix)"?
"Back for Love (Hell‐Ektrik remix)" was written by TIMOFEY REZNIKOV, BARTOZS BRENES, GAEL BENYAMIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR3P10900613?

FR3P10900613 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Back for Love (Hell‐Ektrik remix)” by Timofey, Bartosz Brenes. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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