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ISRC

FR3Z51400058

Prélude et fugue en Ut majeur, BWV 5312

Song: FUGUE FROM PRELUDE & FUGUE NO. 20 IN A MINOR, BWV

André Isoir
matched
Released 2008-10-16

Last verified:

FR3Z51400058 is the International Standard Recording Code (ISRC) for the recording “Prélude et fugue en Ut majeur, BWV 531” by André Isoir, released 2008-10-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by VICTOR LEMONTE (T) WOOTEN, DP, BELA FLECK, and others.

Format

FRCountry
3Z5Registrant
14Year (2014)
00058Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPrélude et fugue en Ut majeur, BWV 531
IPIVICTOR LEMONTE (T) WOOTEN

People also ask

What is the ISRC for "Prélude et fugue en Ut majeur, BWV 531" by André Isoir?
The ISRC for "Prélude et fugue en Ut majeur, BWV 531" by André Isoir is FR3Z51400058.
Who wrote "Prélude et fugue en Ut majeur, BWV 531"?
"Prélude et fugue en Ut majeur, BWV 531" was written by VICTOR LEMONTE (T) WOOTEN, DP, BELA FLECK, JEFF COFFIN, ROY WOOTEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR3Z51400058?

FR3Z51400058 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Prélude et fugue en Ut majeur, BWV 531” by André Isoir. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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