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Higitus Figitus (from “The Sword in the Stone”) (arr. for piano by Beatrice Berrut) album cover

ISRC

FR3Z52400511

Higitus Figitus (from “The Sword in the Stone”) (arr. for piano by Beatrice Berrut)2

Song: HIGITUS FIGITUS

Beatrice Berrut
unmatchedNot yet matched in the MLC database
Released 2025-02-28

Last verified:

FR3Z52400511 is the International Standard Recording Code (ISRC) for the recording “Higitus Figitus (from “The Sword in the Stone”) (arr. for piano by Beatrice Berrut)” by Beatrice Berrut, released 2025-02-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
3Z5Registrant
24Year (2024)
00511Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Higitus Figitus (from “The Sword in the Stone”) (arr. for piano by Beatrice Berrut)" by Beatrice Berrut?
The ISRC for "Higitus Figitus (from “The Sword in the Stone”) (arr. for piano by Beatrice Berrut)" by Beatrice Berrut is FR3Z52400511.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR3Z52400511?

FR3Z52400511 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Higitus Figitus (from “The Sword in the Stone”) (arr. for piano by Beatrice Berrut)” by Beatrice Berrut. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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