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Amadigi (1715) : Acte I, Scène IV. "Ah spietato" (Melissa) album cover

ISRC

FR47Q0903540

Amadigi (1715) : Acte I, Scène IV. "Ah spietato" (Melissa)

Song: Amadigi di Gaula, HWV 11: Atto I, no. 11. "Ah! spietato"

Sandrine PiauLes Talens LyriquesChristophe Rousset
Released 2004-01-01

Last verified:

FR47Q0903540 is the International Standard Recording Code (ISRC) for the recording "Amadigi (1715) : Acte I, Scène IV. "Ah spietato" (Melissa)" by Sandrine Piau, Les Talens Lyriques, Christophe Rousset, released 2004-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
47QRegistrant
09Year (2009)
03540Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Amadigi (1715) : Acte I, Scène IV. "Ah spietato" (Melissa)" by Sandrine Piau?
The ISRC for "Amadigi (1715) : Acte I, Scène IV. "Ah spietato" (Melissa)" by Sandrine Piau, Les Talens Lyriques, Christophe Rousset is FR47Q0903540.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR47Q0903540?

FR47Q0903540 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Amadigi (1715) : Acte I, Scène IV. "Ah spietato" (Melissa)" by Sandrine Piau, Les Talens Lyriques, Christophe Rousset. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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