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Saint Matthew Passion: « Erbame Dich » album cover

ISRC

FR47Q1112710

Saint Matthew Passion: « Erbame Dich »

Song: Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"

Chorus Musicus KölnAngela KazimierczukDas Neue OrchesterChristoph Spering
Released 2012-01-01

Last verified:

FR47Q1112710 is the International Standard Recording Code (ISRC) for the recording "Saint Matthew Passion: « Erbame Dich »" by Chorus Musicus Köln, Angela Kazimierczuk, Das Neue Orchester, Christoph Spering, released 2012-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
47QRegistrant
11Year (2011)
12710Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Saint Matthew Passion: « Erbame Dich »" by Chorus Musicus Köln?
The ISRC for "Saint Matthew Passion: « Erbame Dich »" by Chorus Musicus Köln, Angela Kazimierczuk, Das Neue Orchester, Christoph Spering is FR47Q1112710.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR47Q1112710?

FR47Q1112710 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Saint Matthew Passion: « Erbame Dich »" by Chorus Musicus Köln, Angela Kazimierczuk, Das Neue Orchester, Christoph Spering. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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