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Trois romances pour hautbois et piano, op. 94: III. Nicht schnell album cover

ISRC

FR50X0712103

Trois romances pour hautbois et piano, op. 94: III. Nicht schnell2

Song: "SYMPHONY NO. 3 IN E-FLAT MAJOR, OP. 97, ""RHENISH"": III. NICHT SCHNELL"

Éric Le SageFrançois Leleux
unmatchedNot yet matched in the MLC database
Released 2008-02-01

Last verified:

FR50X0712103 is the International Standard Recording Code (ISRC) for the recording "Trois romances pour hautbois et piano, op. 94: III. Nicht schnell" by Éric Le Sage, François Leleux, released 2008-02-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
50XRegistrant
07Year (2007)
12103Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Trois romances pour hautbois et piano, op. 94: III. Nicht schnell" by Éric Le Sage?
The ISRC for "Trois romances pour hautbois et piano, op. 94: III. Nicht schnell" by Éric Le Sage, François Leleux is FR50X0712103.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X0712103?

FR50X0712103 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Trois romances pour hautbois et piano, op. 94: III. Nicht schnell" by Éric Le Sage, François Leleux. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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