ISRC
Tancrède, Acte II scènes 4-5: Tancrède, un guerrier (Récit)
Song: Tancrède: Act II
Last verified:
FR50X1495832 is the International Standard Recording Code (ISRC) for the recording “Tancrède, Acte II scènes 4-5: Tancrède, un guerrier (Récit)” by Benoit Arnould, Erwin Aros, Les Temps présents, Olivier Schneebeli, released 2015-06-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
FR50X1495832 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Tancrède, Acte II scènes 4-5: Tancrède, un guerrier (Récit)” by Benoit Arnould, Erwin Aros, Les Temps présents, Olivier Schneebeli. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.
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Performers
Production
Label
Alpha Classics
Release
Les Pages, Les Chantres du Centre de Musique Baroque de Versailles, Les Symphonistes, Olivier Schneebeli
FR50X0509711Les Pages, Les Chantres du Centre de Musique Baroque de Versailles, Les Symphonistes, Olivier Schneebeli
FR50X0509701Les Pages, Les Chantres du Centre de Musique Baroque de Versailles, Les Symphonistes, Olivier Schneebeli
FR50X0509709Les Pages, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli
FR50X0305011FR50X1495832 is the International Standard Recording Code (ISRC) for the recording “Tancrède, Acte II scènes 4-5: Tancrède, un guerrier (Récit)” by Benoit Arnould, Erwin Aros, Les Temps présents, Olivier Schneebeli, released 2015-06-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
