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ISRC

FR50X1624412

Le voyage dans la lune: Air de la princesse Fantasia « Je suis nerveuse, je suis fiévreuse »

Song: Le Voyage dans la Lune : Acte III. No. 21 Ariette de Fantasia « Je suis nerveuse » (Fantasia)

Jodie DevosQuatuor Giardini
Released 2016-06-17

Last verified:

FR50X1624412 is the International Standard Recording Code (ISRC) for the recording "Le voyage dans la lune: Air de la princesse Fantasia « Je suis nerveuse, je suis fiévreuse »" by Jodie Devos, Quatuor Giardini, released 2016-06-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
50XRegistrant
16Year (2016)
24412Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Le voyage dans la lune: Air de la princesse Fantasia « Je suis nerveuse, je suis fiévreuse »" by Jodie Devos?
The ISRC for "Le voyage dans la lune: Air de la princesse Fantasia « Je suis nerveuse, je suis fiévreuse »" by Jodie Devos, Quatuor Giardini is FR50X1624412.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X1624412?

FR50X1624412 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Le voyage dans la lune: Air de la princesse Fantasia « Je suis nerveuse, je suis fiévreuse »" by Jodie Devos, Quatuor Giardini. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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