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ISRC

FR50X1845804

Piano Quintet in C major, Sz. 23: II. Vivace. Scherzando

Song: Piano Quintet, Sz. 23: II. Vivace (Scherzando)

Barnabás KelemenVilde FrangKokas KatalinNicolas AltstaedtAlexander Lonquich
Released 2019-08-28

Last verified:

FR50X1845804 is the International Standard Recording Code (ISRC) for the recording "Piano Quintet in C major, Sz. 23: II. Vivace. Scherzando" by Barnabás Kelemen, Vilde Frang, Kokas Katalin, Nicolas Altstaedt, Alexander Lonquich, released 2019-08-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
50XRegistrant
18Year (2018)
45804Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Piano Quintet in C major, Sz. 23: II. Vivace. Scherzando" by Barnabás Kelemen?
The ISRC for "Piano Quintet in C major, Sz. 23: II. Vivace. Scherzando" by Barnabás Kelemen, Vilde Frang, Kokas Katalin, Nicolas Altstaedt, Alexander Lonquich is FR50X1845804.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X1845804?

FR50X1845804 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Piano Quintet in C major, Sz. 23: II. Vivace. Scherzando" by Barnabás Kelemen, Vilde Frang, Kokas Katalin, Nicolas Altstaedt, Alexander Lonquich. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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