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Ballet du temple de la paix, LWV 69: Entrée des Bretons, passepied album cover

ISRC

FR50X1974707

Ballet du temple de la paix, LWV 69: Entrée des Bretons, passepied

Ensemble Les SurprisesLouis-Noël Bestion de Camboulas
Released 2021-08-27

Last verified:

FR50X1974707 is the International Standard Recording Code (ISRC) for the recording "Ballet du temple de la paix, LWV 69: Entrée des Bretons, passepied" by Ensemble Les Surprises, Louis-Noël Bestion de Camboulas, released 2021-08-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
50XRegistrant
19Year (2019)
74707Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Ballet du temple de la paix, LWV 69: Entrée des Bretons, passepied" by Ensemble Les Surprises?
The ISRC for "Ballet du temple de la paix, LWV 69: Entrée des Bretons, passepied" by Ensemble Les Surprises, Louis-Noël Bestion de Camboulas is FR50X1974707.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X1974707?

FR50X1974707 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Ballet du temple de la paix, LWV 69: Entrée des Bretons, passepied" by Ensemble Les Surprises, Louis-Noël Bestion de Camboulas. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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