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L’Embarras des richesses : Air « Dès notre enfance unis tous deux » album cover

ISRC

FR50X2182407

L’Embarras des richesses : Air « Dès notre enfance unis tous deux »

Song: L’Embarras des richesses

Véronique GensLe Concert de la LogeJulien Chauvin
Released 2022-04-01

Last verified:

FR50X2182407 is the International Standard Recording Code (ISRC) for the recording "L’Embarras des richesses : Air « Dès notre enfance unis tous deux »" by Véronique Gens, Le Concert de la Loge, Julien Chauvin, released 2022-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
50XRegistrant
21Year (2021)
82407Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "L’Embarras des richesses : Air « Dès notre enfance unis tous deux »" by Véronique Gens?
The ISRC for "L’Embarras des richesses : Air « Dès notre enfance unis tous deux »" by Véronique Gens, Le Concert de la Loge, Julien Chauvin is FR50X2182407.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X2182407?

FR50X2182407 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "L’Embarras des richesses : Air « Dès notre enfance unis tous deux »" by Véronique Gens, Le Concert de la Loge, Julien Chauvin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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