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Theodora, HWV 68: Part II: Recitative “Ye Men of Antioch” (Valens) album cover

ISRC

FR50X2302531

Theodora, HWV 68: Part II: Recitative “Ye Men of Antioch” (Valens)

Song: Theodora, HWV 68: Act II, Scene 1, no. 29. Recitative “Ye men of Antioch” (Valens)

Adam PlachetkaArcangeloJonathan Cohen
Released 2024-02-23

Last verified:

FR50X2302531 is the International Standard Recording Code (ISRC) for the recording "Theodora, HWV 68: Part II: Recitative “Ye Men of Antioch” (Valens)" by Adam Plachetka, Arcangelo, Jonathan Cohen, released 2024-02-23. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
50XRegistrant
23Year (2023)
02531Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Theodora, HWV 68: Part II: Recitative “Ye Men of Antioch” (Valens)" by Adam Plachetka?
The ISRC for "Theodora, HWV 68: Part II: Recitative “Ye Men of Antioch” (Valens)" by Adam Plachetka, Arcangelo, Jonathan Cohen is FR50X2302531.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR50X2302531?

FR50X2302531 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Theodora, HWV 68: Part II: Recitative “Ye Men of Antioch” (Valens)" by Adam Plachetka, Arcangelo, Jonathan Cohen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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