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ISRC

FR69Q0080170

Ave Maria

Sonia LacenCécilia CaraNourithLa Troupe des 1001 vies d'Ali BabaLa Troupe de Roméo et JulietteLa Troupe des Dix Commandements
Released 2000-01-01

Last verified:

FR69Q0080170 is the International Standard Recording Code (ISRC) for the recording "Ave Maria" by Sonia Lacen, Cécilia Cara, Nourith, La Troupe des 1001 vies d'Ali Baba, La Troupe de Roméo et Juliette, La Troupe des Dix Commandements, released 2000-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
69QRegistrant
00Year (2000)
80170Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Ave Maria" by Sonia Lacen?
The ISRC for "Ave Maria" by Sonia Lacen, Cécilia Cara, Nourith, La Troupe des 1001 vies d'Ali Baba, La Troupe de Roméo et Juliette, La Troupe des Dix Commandements is FR69Q0080170.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR69Q0080170?

FR69Q0080170 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Ave Maria" by Sonia Lacen, Cécilia Cara, Nourith, La Troupe des 1001 vies d'Ali Baba, La Troupe de Roméo et Juliette, La Troupe des Dix Commandements. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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