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ISRC

FR6F31318620

(In the End) There’s Only Love2

Song: (IN THE END) THERE'S ONLY LOVE

Ewert and The Two Dragons
unmatchedNot yet matched in the MLC database
Released 2011-04-05

Last verified:

FR6F31318620 is the International Standard Recording Code (ISRC) for the recording “(In the End) There’s Only Love” by Ewert and The Two Dragons, released 2011-04-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ERKI PAERNOJA, KRISTJAN KALLAS, IVO ETTI, and others.

Format

FRCountry
6F3Registrant
13Year (2013)
18620Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC(In the End) There’s Only Love
IPIERKI PAERNOJA

People also ask

What is the ISRC for "(In the End) There’s Only Love" by Ewert and The Two Dragons?
The ISRC for "(In the End) There’s Only Love" by Ewert and The Two Dragons is FR6F31318620.
Who wrote "(In the End) There’s Only Love"?
"(In the End) There’s Only Love" was written by ERKI PAERNOJA, KRISTJAN KALLAS, IVO ETTI, EWERT SUNDJA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR6F31318620?

FR6F31318620 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “(In the End) There’s Only Love” by Ewert and The Two Dragons. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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