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ISRC

FR6F31394870

DEAD AIR (MIKALOGIC RMX) [FEAT. CATHERINE D'LISH]

Song: DEAD AIR

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FR6F31394870 is the International Standard Recording Code (ISRC) for the recording "DEAD AIR (MIKALOGIC RMX) [FEAT. CATHERINE D'LISH]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARTIJN H J VAN SONDEREN, THIJS VLIEGER DE, NIK R ROOS, and others.

Format

FRCountry
6F3Registrant
13Year (2013)
94870Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDEAD AIR (MIKALOGIC RMX) [FEAT. CATHERINE D'LISH]
IPIMARTIJN H J VAN SONDEREN

Related

Songwriter profiles

MARTIJN H J VAN SONDERENIPITHIJS VLIEGER DEIPINIK R ROOSIPI

People also ask

What is the ISRC for "DEAD AIR (MIKALOGIC RMX) [FEAT. CATHERINE D'LISH]"?
The ISRC for "DEAD AIR (MIKALOGIC RMX) [FEAT. CATHERINE D'LISH]" is FR6F31394870.
Who wrote "DEAD AIR (MIKALOGIC RMX) [FEAT. CATHERINE D'LISH]"?
"DEAD AIR (MIKALOGIC RMX) [FEAT. CATHERINE D'LISH]" was written by MARTIJN H J VAN SONDEREN, THIJS VLIEGER DE, NIK R ROOS, PHACE, STU.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR6F31394870?

FR6F31394870 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DEAD AIR (MIKALOGIC RMX) [FEAT. CATHERINE D'LISH]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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