ISRC

FR6F31464770

I CAN'T GO FOR THAT (NO CAN DO) [SINGLE VERSION]

Song: "WAIT TILL I GET HOME (SAMPLES ""I CAN'T GO FOR THAT {NO CAN DO}"")"

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FR6F31464770 is the International Standard Recording Code (ISRC) for the recording "I CAN'T GO FOR THAT (NO CAN DO) [SINGLE VERSION]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHN WILLIAM OATES, PAUL GEORGE, BRIAN P. GEORGE, and others.

Format

FRCountry
6F3Registrant
14Year (2014)
64770Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI CAN'T GO FOR THAT (NO CAN DO) [SINGLE VERSION]

People also ask

What is the ISRC for "I CAN'T GO FOR THAT (NO CAN DO) [SINGLE VERSION]"?
The ISRC for "I CAN'T GO FOR THAT (NO CAN DO) [SINGLE VERSION]" is FR6F31464770.
Who wrote "I CAN'T GO FOR THAT (NO CAN DO) [SINGLE VERSION]"?
"I CAN'T GO FOR THAT (NO CAN DO) [SINGLE VERSION]" was written by JOHN WILLIAM OATES, PAUL GEORGE, BRIAN P. GEORGE, GERARD R. CHARLES, SARA ALLEN, CURTIS T. BEDEAU, HUGH L. CLARKE, LUCIEN GEORGE, DARYL HALL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR6F31464770?

FR6F31464770 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I CAN'T GO FOR THAT (NO CAN DO) [SINGLE VERSION]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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