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(LET EVERYBODY) JOIN HANDS (IT COULD BE AN AMERICAN MIX) album cover

ISRC

FR6F31822970

(LET EVERYBODY) JOIN HANDS (IT COULD BE AN AMERICAN MIX)

Song: JOIN HANDS (GET UP)

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FR6F31822970 is the International Standard Recording Code (ISRC) for the recording "(LET EVERYBODY) JOIN HANDS (IT COULD BE AN AMERICAN MIX)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHAN EVALD STRANDKVIST.

Format

FRCountry
6F3Registrant
18Year (2018)
22970Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC(LET EVERYBODY) JOIN HANDS (IT COULD BE AN AMERICAN MIX)
IPIJOHAN EVALD STRANDKVIST

Related

Songwriter profiles

JOHAN EVALD STRANDKVISTIPI

People also ask

What is the ISRC for "(LET EVERYBODY) JOIN HANDS (IT COULD BE AN AMERICAN MIX)"?
The ISRC for "(LET EVERYBODY) JOIN HANDS (IT COULD BE AN AMERICAN MIX)" is FR6F31822970.
Who wrote "(LET EVERYBODY) JOIN HANDS (IT COULD BE AN AMERICAN MIX)"?
"(LET EVERYBODY) JOIN HANDS (IT COULD BE AN AMERICAN MIX)" was written by JOHAN EVALD STRANDKVIST.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR6F31822970?

FR6F31822970 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "(LET EVERYBODY) JOIN HANDS (IT COULD BE AN AMERICAN MIX)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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