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ISRC

FR6V81779451

BUS STOP (IN THE STYLE OF HOLLIES)

Song: BUS STOP

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FR6V81779451 is the International Standard Recording Code (ISRC) for the recording “BUS STOP (IN THE STYLE OF HOLLIES)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL ROOSEVELT MITCHELL JR, ERNESTO MITCHELL, PAUL ROOSEVELT MITCHELL JR., and others.

Format

FRCountry
6V8Registrant
17Year (2017)
79451Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBUS STOP (IN THE STYLE OF HOLLIES)
IPIPAUL ROOSEVELT MITCHELL JR

Related

Songwriter profiles

PAUL ROOSEVELT MITCHELL JRIPIERNESTO MITCHELLIPIPAUL ROOSEVELTJUNIOR MITCHELLIPI

People also ask

What is the ISRC for "BUS STOP (IN THE STYLE OF HOLLIES)"?
The ISRC for "BUS STOP (IN THE STYLE OF HOLLIES)" is FR6V81779451.
Who wrote "BUS STOP (IN THE STYLE OF HOLLIES)"?
"BUS STOP (IN THE STYLE OF HOLLIES)" was written by PAUL ROOSEVELT MITCHELL JR, ERNESTO MITCHELL, PAUL ROOSEVELT MITCHELL JR., PAUL ROOSEVELTJUNIOR MITCHELL, COMPOSER UNKNOWN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR6V81779451?

FR6V81779451 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “BUS STOP (IN THE STYLE OF HOLLIES)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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