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ISRC

FR7JM1675010

Introït : Ah ! Nos fureurs ne sont point vaines (La Vengeance) (Zoroastre (IV, 6), RCT62)

Stéphane DegoutEnsemble PygmalionRaphaël Pichon
Released 2018-02-01

Last verified:

FR7JM1675010 is the International Standard Recording Code (ISRC) for the recording "Introït : Ah ! Nos fureurs ne sont point vaines (La Vengeance) (Zoroastre (IV, 6), RCT62)" by Stéphane Degout, Ensemble Pygmalion, Raphaël Pichon, released 2018-02-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
7JMRegistrant
16Year (2016)
75010Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Introït : Ah ! Nos fureurs ne sont point vaines (La Vengeance) (Zoroastre (IV, 6), RCT62)" by Stéphane Degout?
The ISRC for "Introït : Ah ! Nos fureurs ne sont point vaines (La Vengeance) (Zoroastre (IV, 6), RCT62)" by Stéphane Degout, Ensemble Pygmalion, Raphaël Pichon is FR7JM1675010.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR7JM1675010?

FR7JM1675010 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Introït : Ah ! Nos fureurs ne sont point vaines (La Vengeance) (Zoroastre (IV, 6), RCT62)" by Stéphane Degout, Ensemble Pygmalion, Raphaël Pichon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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