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ISRC

FR7JM1826200

Nocturne, op. 60: “Below the thunders of the upper deep”

Song: Nocturne, op. 60: II. Below the thunders of the upper deep

Andrew StaplesFredrik EkdahlSwedish Radio Symphony OrchestraDaniel Harding
Released 2022-08-19

Last verified:

FR7JM1826200 is the International Standard Recording Code (ISRC) for the recording "Nocturne, op. 60: “Below the thunders of the upper deep”" by Andrew Staples, Fredrik Ekdahl, Swedish Radio Symphony Orchestra, Daniel Harding, released 2022-08-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
7JMRegistrant
18Year (2018)
26200Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Nocturne, op. 60: “Below the thunders of the upper deep”" by Andrew Staples?
The ISRC for "Nocturne, op. 60: “Below the thunders of the upper deep”" by Andrew Staples, Fredrik Ekdahl, Swedish Radio Symphony Orchestra, Daniel Harding is FR7JM1826200.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR7JM1826200?

FR7JM1826200 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Nocturne, op. 60: “Below the thunders of the upper deep”" by Andrew Staples, Fredrik Ekdahl, Swedish Radio Symphony Orchestra, Daniel Harding. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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