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ISRC

FR7JM1962250

Pyrrhus and Demetrius: Aria “Thus with thirst my souls expiring” (arr. for flute and basso continuo)

Nicola Francesco HaymPietro Chaboud
Released 2020-09-18

Last verified:

FR7JM1962250 is the International Standard Recording Code (ISRC) for the recording "Pyrrhus and Demetrius: Aria “Thus with thirst my souls expiring” (arr. for flute and basso continuo)" by Nicola Francesco Haym, Pietro Chaboud, released 2020-09-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
7JMRegistrant
19Year (2019)
62250Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Pyrrhus and Demetrius: Aria “Thus with thirst my souls expiring” (arr. for flute and basso continuo)" by Nicola Francesco Haym?
The ISRC for "Pyrrhus and Demetrius: Aria “Thus with thirst my souls expiring” (arr. for flute and basso continuo)" by Nicola Francesco Haym, Pietro Chaboud is FR7JM1962250.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR7JM1962250?

FR7JM1962250 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Pyrrhus and Demetrius: Aria “Thus with thirst my souls expiring” (arr. for flute and basso continuo)" by Nicola Francesco Haym, Pietro Chaboud. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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