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  3. FR7JM2020080
Concerto for Viola, Strings and Continuo in G major, TWV 51:G9: I. Largo album cover

ISRC

FR7JM2020080

Concerto for Viola, Strings and Continuo in G major, TWV 51:G9: I. Largo✓2

Song: Viola Concerto, TWV 51:G9: I. Largo

Antoine TamestitAkademie für Alte Musik BerlinBernhard Forck
matched
Released 2022-01-07

Last verified: August 11, 2026

FR7JM2020080 is the International Standard Recording Code (ISRC) for the recording “Concerto for Viola, Strings and Continuo in G major, TWV 51:G9: I. Largo” by Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck, released 2022-01-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T0013227401.

Format

FRCountry
7JMRegistrant
20Year (2020)
20080Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCConcerto for Viola, Strings and Continuo in G major, TWV 51:G9: I. Largo
ISWCViola Concerto, TWV 51:G9: I. Largo

Musical Work (ISWC)

T0013227401Viola Concerto, TWV 51:G9: I. Largo

Credits Graph

MLC Song Code

L02231
Verify on MLC Portal →
SourcesMusicBrainzMLCNotes✓3 sources

Verified on

  • MusicBrainz recording record
  • MLC song record

People also ask

What is the ISRC for "Concerto for Viola, Strings and Continuo in G major, TWV 51:G9: I. Largo" by Antoine Tamestit?+
The ISRC for "Concerto for Viola, Strings and Continuo in G major, TWV 51:G9: I. Largo" by Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck is FR7JM2020080.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?+
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. FR7JM2020080 is the ISRC for this recording; T0013227401 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

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What is ISRC FR7JM2020080?

FR7JM2020080 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto for Viola, Strings and Continuo in G major, TWV 51:G9: I. Largo” by Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T0013227401, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

Learn more about ISRCs · Powered by Notes.fm

Related

Other versions of this workView all on iswc.fm

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I. LARGOUSB8U1014264
LARGOHKI199292705

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Antoine TamestitAkademie für Alte Musik BerlinBernhard Forck

FR7JM2020080 is the International Standard Recording Code (ISRC) for the recording “Concerto for Viola, Strings and Continuo in G major, TWV 51:G9: I. Largo” by Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck, released 2022-01-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T0013227401.

Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck