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ISRC

FR7JM2533160

Christ lag in Todesbanden, BWV 4: III. Versus 2. Den Tod niemand zwingen kunnt

Song: Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt"

Ensemble CorrespondancesSébastien Daucé

Last verified:

FR7JM2533160 is the International Standard Recording Code (ISRC) for the recording "Christ lag in Todesbanden, BWV 4: III. Versus 2. Den Tod niemand zwingen kunnt" by Ensemble Correspondances, Sébastien Daucé. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
7JMRegistrant
25Year (2025)
33160Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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People also ask

What is the ISRC for "Christ lag in Todesbanden, BWV 4: III. Versus 2. Den Tod niemand zwingen kunnt" by Ensemble Correspondances?
The ISRC for "Christ lag in Todesbanden, BWV 4: III. Versus 2. Den Tod niemand zwingen kunnt" by Ensemble Correspondances, Sébastien Daucé is FR7JM2533160.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR7JM2533160?

FR7JM2533160 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Christ lag in Todesbanden, BWV 4: III. Versus 2. Den Tod niemand zwingen kunnt" by Ensemble Correspondances, Sébastien Daucé. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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