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MANNEQUIN LOVE THE DARE REMIX album cover

ISRC

FR8EU2500080

MANNEQUIN LOVE THE DARE REMIX

Song: MANNEQUIN LOVE (FEAT. THE FLINTS)

JUSTICE THE DARE THE FLINTS
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FR8EU2500080 is the International Standard Recording Code (ISRC) for the recording "MANNEQUIN LOVE THE DARE REMIX" by JUSTICE THE DARE THE FLINTS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by XAVIER DE ROSNAY, GASPARD MICHEL ANDRE AUGE, HENRY PETER HOWARD FLINT, and others.

Format

FRCountry
8EURegistrant
25Year (2025)
00080Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMANNEQUIN LOVE THE DARE REMIX
IPIXAVIER DE ROSNAY

People also ask

What is the ISRC for "MANNEQUIN LOVE THE DARE REMIX" by JUSTICE THE DARE THE FLINTS?
The ISRC for "MANNEQUIN LOVE THE DARE REMIX" by JUSTICE THE DARE THE FLINTS is FR8EU2500080.
Who wrote "MANNEQUIN LOVE THE DARE REMIX"?
"MANNEQUIN LOVE THE DARE REMIX" was written by XAVIER DE ROSNAY, GASPARD MICHEL ANDRE AUGE, HENRY PETER HOWARD FLINT, GEORGE HOWARD MICHAEL FLINT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR8EU2500080?

FR8EU2500080 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "MANNEQUIN LOVE THE DARE REMIX" by JUSTICE THE DARE THE FLINTS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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