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No me quites la ilusión album cover

ISRC

FR96X2228049

No me quites la ilusión2

Song: NO ME QUITES LA ILUSION

Alberto PlazaGian Marco
matched
Released 2022-05-13

Last verified:

FR96X2228049 is the International Standard Recording Code (ISRC) for the recording “No me quites la ilusión” by Alberto Plaza, Gian Marco, released 2022-05-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALBERTO PLAZA.

Format

FRCountry
96XRegistrant
22Year (2022)
28049Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ALBERTO PLAZAComposer
SQUARE MUSIC INC OriginalPublisher100.00%

Who publishes this song?

SQUARE MUSIC INCOriginalPublisher

Credits Graph

MLC Song Code

NV9Y6I
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "No me quites la ilusión" by Alberto Plaza?
The ISRC for "No me quites la ilusión" by Alberto Plaza, Gian Marco is FR96X2228049.
Who wrote "No me quites la ilusión"?
"No me quites la ilusión" was written by ALBERTO PLAZA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FR96X2228049?

FR96X2228049 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “No me quites la ilusión” by Alberto Plaza, Gian Marco. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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