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ISRC

FRD3T2101015

Die Zuchthause Kantate : « Every mail day »

Song: Die Zuchthaus-Kantate, op. 63: III. Every mail day

Marie SoubestreJoséphine BesançonGautier BroutinClément Batrel-GéninAntoine Cambruzzi
Released 2021-11-26

Last verified:

FRD3T2101015 is the International Standard Recording Code (ISRC) for the recording "Die Zuchthause Kantate : « Every mail day »" by Marie Soubestre, Joséphine Besançon, Gautier Broutin, Clément Batrel-Génin, Antoine Cambruzzi, released 2021-11-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
D3TRegistrant
21Year (2021)
01015Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Die Zuchthause Kantate : « Every mail day »" by Marie Soubestre?
The ISRC for "Die Zuchthause Kantate : « Every mail day »" by Marie Soubestre, Joséphine Besançon, Gautier Broutin, Clément Batrel-Génin, Antoine Cambruzzi is FRD3T2101015.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRD3T2101015?

FRD3T2101015 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Die Zuchthause Kantate : « Every mail day »" by Marie Soubestre, Joséphine Besançon, Gautier Broutin, Clément Batrel-Génin, Antoine Cambruzzi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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