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ISRC

FRQ080400002

UN MONDE SANS DANGER (A WORLD WITHOUT DANGER) (KARAOKÉ)

Song: UN MONDE SANS DANGER

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FRQ080400002 is the International Standard Recording Code (ISRC) for the recording "UN MONDE SANS DANGER (A WORLD WITHOUT DANGER) (KARAOKÉ)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by YGAL VICTOR AMAR, FRANCK WOLFGANG KELLER.

Format

FRCountry
Q08Registrant
04Year (2004)
00002Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCUN MONDE SANS DANGER (A WORLD WITHOUT DANGER) (KARAOKÉ)
IPIYGAL VICTOR AMAR

Related

Songwriter profiles

YGAL VICTOR AMARIPIFRANCK WOLFGANG KELLERIPI

People also ask

What is the ISRC for "UN MONDE SANS DANGER (A WORLD WITHOUT DANGER) (KARAOKÉ)"?
The ISRC for "UN MONDE SANS DANGER (A WORLD WITHOUT DANGER) (KARAOKÉ)" is FRQ080400002.
Who wrote "UN MONDE SANS DANGER (A WORLD WITHOUT DANGER) (KARAOKÉ)"?
"UN MONDE SANS DANGER (A WORLD WITHOUT DANGER) (KARAOKÉ)" was written by YGAL VICTOR AMAR, FRANCK WOLFGANG KELLER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRQ080400002?

FRQ080400002 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "UN MONDE SANS DANGER (A WORLD WITHOUT DANGER) (KARAOKÉ)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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