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  1. Home
  2. ISRCs
  3. FRS011800200
Tableau « Le Bon, la Brute et les Enfoirés » album cover

ISRC

FRS011800200

Tableau « Le Bon, la Brute et les Enfoirés »

Song: Laisse béton…

Kad MeradMichaël YounJeniferMC SolaarZazLaure PesterPatrick BruelMimie MathyAmel BentTalSopranoMichèle Laroque
matched
Released 2018-03-10

Last verified: July 5, 2026

FRS011800200 is the International Standard Recording Code (ISRC) for the recording “Tableau « Le Bon, la Brute et les Enfoirés »” by Kad Merad, Michaël Youn, Jenifer, MC Solaar, Zaz, Laure Pester, Patrick Bruel, Mimie Mathy, Amel Bent, Tal, Soprano, Michèle Laroque, released 2018-03-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-003.024.692-4.

Format

FRCountry
S01Registrant
18Year (2018)
00200Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTableau « Le Bon, la Brute et les Enfoirés »
ISWCLaisse béton…

Musical Work (ISWC)

T-003.024.692-4Laisse béton…

Credits Graph

SourcesMusicBrainz

Verified on

  • MusicBrainz recording record

People also ask

What is the ISRC for "Tableau « Le Bon, la Brute et les Enfoirés »" by Kad Merad?+
The ISRC for "Tableau « Le Bon, la Brute et les Enfoirés »" by Kad Merad, Michaël Youn, Jenifer, MC Solaar, Zaz, Laure Pester, Patrick Bruel, Mimie Mathy, Amel Bent, Tal, Soprano, Michèle Laroque is FRS011800200.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?+
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. FRS011800200 is the ISRC for this recording; T-003.024.692-4 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

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What is ISRC FRS011800200?

FRS011800200 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Tableau « Le Bon, la Brute et les Enfoirés »” by Kad Merad, Michaël Youn, Jenifer, MC Solaar, Zaz, Laure Pester, Patrick Bruel, Mimie Mathy, Amel Bent, Tal, Soprano, Michèle Laroque. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T-003.024.692-4, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

Learn more about ISRCs · Powered by Notes.fm

Kad MeradMichaël YounJeniferMC SolaarZazLaure PesterPatrick BruelMimie MathyAmel BentTalSopranoMichèle Laroque

FRS011800200 is the International Standard Recording Code (ISRC) for the recording “Tableau « Le Bon, la Brute et les Enfoirés »” by Kad Merad, Michaël Youn, Jenifer, MC Solaar, Zaz, Laure Pester, Patrick Bruel, Mimie Mathy, Amel Bent, Tal, Soprano, Michèle Laroque, released 2018-03-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-003.024.692-4.

Kad Merad, Michaël Youn, Jenifer, MC Solaar, Zaz, Laure Pester, Patrick Bruel, Mimie Mathy, Amel Bent, Tal, Soprano, Michèle Laroque

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