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ISRC

FRT155916139

Concerto pour violon et orchestre en La mineur, BWV 1041 : I. Allegro

Song: Violin Concerto in A minor, BWV 1041: I. Allegro

David OistrakhOrchestre National de la RTFAndré Cluytens
Released 2016-11-22

Last verified:

FRT155916139 is the International Standard Recording Code (ISRC) for the recording "Concerto pour violon et orchestre en La mineur, BWV 1041 : I. Allegro" by David Oistrakh, Orchestre National de la RTF, André Cluytens, released 2016-11-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
T15Registrant
59Year (1959)
16139Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1959):
Last two digits of the reference year (1959). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Concerto pour violon et orchestre en La mineur, BWV 1041 : I. Allegro" by David Oistrakh?
The ISRC for "Concerto pour violon et orchestre en La mineur, BWV 1041 : I. Allegro" by David Oistrakh, Orchestre National de la RTF, André Cluytens is FRT155916139.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRT155916139?

FRT155916139 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto pour violon et orchestre en La mineur, BWV 1041 : I. Allegro" by David Oistrakh, Orchestre National de la RTF, André Cluytens. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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