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ISRC

FRU620808107

Mass in B minor, BWV 232: 7. Gratias agimus tibi

Song: h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi

Ensemble Vocal de LausanneEnsemble Instrumental de LausanneMichel Corboz
Released 2009-01-06

Last verified:

FRU620808107 is the International Standard Recording Code (ISRC) for the recording "Mass in B minor, BWV 232: 7. Gratias agimus tibi" by Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz, released 2009-01-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
U62Registrant
08Year (2008)
08107Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Mass in B minor, BWV 232: 7. Gratias agimus tibi" by Ensemble Vocal de Lausanne?
The ISRC for "Mass in B minor, BWV 232: 7. Gratias agimus tibi" by Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz is FRU620808107.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRU620808107?

FRU620808107 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mass in B minor, BWV 232: 7. Gratias agimus tibi" by Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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