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ISRC

FRV732303130

Les sept dernières paroles du Christ en croix : Il terremoto : Er ist nicht mehr

Song: The Seven Last Words of Our Saviour on the Cross, op. 51: Il terremoto. Presto e con tutta la forza

La Chapelle RhénaneQuatuor 1781
Released 2023-10-13

Last verified:

FRV732303130 is the International Standard Recording Code (ISRC) for the recording "Les sept dernières paroles du Christ en croix : Il terremoto : Er ist nicht mehr" by La Chapelle Rhénane, Quatuor 1781, released 2023-10-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
V73Registrant
23Year (2023)
03130Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Les sept dernières paroles du Christ en croix : Il terremoto : Er ist nicht mehr" by La Chapelle Rhénane?
The ISRC for "Les sept dernières paroles du Christ en croix : Il terremoto : Er ist nicht mehr" by La Chapelle Rhénane, Quatuor 1781 is FRV732303130.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRV732303130?

FRV732303130 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Les sept dernières paroles du Christ en croix : Il terremoto : Er ist nicht mehr" by La Chapelle Rhénane, Quatuor 1781. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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