Pièces de viole mises en pièces de clavecin, suite no. 1 : no. 6, La Couperin album cover

ISRC

FRV732403325

Pièces de viole mises en pièces de clavecin, suite no. 1 : no. 6, La Couperin

Song: Suite no. 1 in D minor: VI. La Couperin

Constance LuzzatiCaroline Delume
Released 2024-09-20

Last verified:

FRV732403325 is the International Standard Recording Code (ISRC) for the recording "Pièces de viole mises en pièces de clavecin, suite no. 1 : no. 6, La Couperin" by Constance Luzzati, Caroline Delume, released 2024-09-20. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
V73Registrant
24Year (2024)
03325Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Pièces de viole mises en pièces de clavecin, suite no. 1 : no. 6, La Couperin" by Constance Luzzati?
The ISRC for "Pièces de viole mises en pièces de clavecin, suite no. 1 : no. 6, La Couperin" by Constance Luzzati, Caroline Delume is FRV732403325.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRV732403325?

FRV732403325 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Pièces de viole mises en pièces de clavecin, suite no. 1 : no. 6, La Couperin" by Constance Luzzati, Caroline Delume. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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